Sunday, July 19, 2015

The Last

This is the fifth summer that the kids and I have raised Monarch butterflies. A few weeks ago, we found 11 eggs in the milkweed garden and eventually 7 made it to metamorphosis stage. One by one, 6 plump caterpillars transformed into beautiful jade-colored chrysalises dotted with gold that hung like chandeliers in a ballroom. The last caterpillar, however, had been slow to keep pace and I noticed that his antenna were bent backward at an odd angle. Concerned, I was happy when he finally took his place upside-down in the familiar “J” position alongside his siblings. 


The next morning when we came down for breakfast, we quickly saw that the last caterpillar had not successfully made his transformation. While the others were sealed up in perfectly smooth green chrysalises, the last one hadn’t been able to fully “unzip” his caterpillar skin. Half of the chrysalis protruded out at the top while the skin seemed to squeeze tight around the bottom half, preventing the completion of the metamorphosis process. 

The kids were distressed at the sight and asked what could be done. I googled for answers but came up with the sad consensus that this caterpillar likely wasn’t going to realize his dream of wings. Something had gone wrong somewhere along the path of construction and our hands, though willing, were unable to make a remedy. Josh, ever the prayer warrior, asked for one more day to pray and wait on the Lord and so we did. 

The kids admitted to me at various times through the day that the last caterpillar was hard to look at because his deformities were so…yucky. While the other chrysalises hung perfectly still in silent anticipation, the last caterpillar was seen struggling, pulsing even, where the skin hadn’t formed over his inner parts. The thin membrane looked like a balloon that was being blown up and then deflated and the kids wanted to watch it and look away at the same time. They worried that his pinched skin was causing him to suffer. I confessed that I didn’t know and that we were in uncharted territory. 

The next morning, we saw that nothing had changed overnight and Josh declared that it was OK to go forward with plans to euthanize the last caterpillar. We had read enough to know that only more suffering lie ahead for him, should he even be able to transform into a butterfly, and mercy was called for at this earlier stage. 

Anytime I’m teaching the kids about the cycles of nature, I try not to hide the difficult parts from them. We’ve examined dead birds found on our walk back from the bus stop. We’ve discussed what happens to baby bunnies that bounce out of the nest too soon. They’ve watched enough TV shows about the hunter and the hunted to understand that not every animal returns to its home at night. And now they were learning that not every caterpillar gets to soar.     


Using a pair of old tweezers, I pulled the half-transformed caterpillar down from the lid where he had woven his anchor and we marveled at the handiwork that one little creature could create. We gently wrapped him in a tissue and sealed him in a Ziplock bag, then placed him in the freezer where he would quietly and quickly part with life. It was a serious business but one in which we all accepted our role. After a few more questions, the kids turned back to their play and I went to think about plans for dinner that night. 

As I chopped lettuce and sliced tomatoes, I kept returning to thoughts of the last caterpillar, wishing there had been something else to try, one last effort to expend on his behalf. I felt dismayed that my hands were tied and rescue had been beyond reach this time. As I rued the hard parts of nature’s broken ways, I wondered why I was so affected by this last, lost caterpillar. Could it be the memory of my own forsaken plight and the One who reached into my tangled mess to save me? 

…the eyes that didn’t turn away from the yucky, deformed parts of my mangled soul…
…the skin that faced the lash to secure the healing of my rent body…
…the hands that agreed to the tying and the piercing so that my spirit might be reborn, a new creation of His highest design…

Far from the splendor and perfection of those 6 jade vessels, my sanctification in the Lord much more closely resembles that of the last caterpillar. Stuttered, struggling, seized by the remnant curse and utterly bereft without His gentle, omnipotent guidance, I rely on Him completely to see me through this life's daily transformation process.  

As I laid out the table for dinner, I came round to thanks for having been tasked with that day’s difficult work and for the reminder it provided. 

In my hands, the last caterpillar was hopeless, 
doomed, 
lost to the grave. 

In His hands, I am of hope, 
flighted, 
and free to the higher ground.




When I saw him, I fell at his feet as if I were dead. 
But he laid his right hand on me and said,
Don't be afraid! 

I am the First and the Last.  

~Revelation 1:17

Tuesday, January 6, 2015

The Rooster's Enigma

She turned the rusted handle and heard the heavy door groan on its elderly hinges. The dust-moted air she stepped into was stale and undisturbed but strangely and immediately familiar, a relic of her childhood indelibly etched along the stone threshold she was stepping over for the first time since her grandfather had passed away. 



It had been two years since the funeral and the final afternoon gathered in the kitchen around the table where her grandpa had once slathered butter thick on his bread while her grandma had poured countless cups of strong coffee. There hadn’t been time or desire to wander about the farm that day. 
Just a heavy yearning to be. Together, quiet, weaving what they knew might be a final memory.

Cousins. Aunts. Uncles. Nieces. Nephews. Siblings. All of them assembled one last time on a February day far drearier than it ever should have been. A dozen hearts quietly struggling to fend off the fraying thoughts that threatened to pull them apart a hundred ways over the coming months.     

~~~~~

Winter had passed twice before she had been able to drive the long road to the farm again. Her uncle, tending the property while the estate was settled, said she was welcome to visit and take whatever she wanted. And while she knew she couldn’t capture the familiar air of her grandfather’s chicken coop, she hoped she might be able to capture some of the essential rust.  Wandering past long rows of empty nest boxes and wired panels, she smiled at the memories of helping fill the feeders with scratch grains and reaching quickly under a hen to pilfer the smooth, warm treasure hidden beneath. Moving slowly and deliberately, she looked for pieces both functional and nostalgic…an old John Deere thermometer with chipping yellow paint…a garden rake worn smooth by rough farmer hands…a vintage stoneware water bowl...a metal scoop from the grain barrel. Everything had a right purpose and place in her mind. Until she approached the window.








Coming to a carpeted shelf below the pane, she stopped. Chicken pens lined either side, creating a kind of alcove. On one side hung an old metal medicine cabinet. Inside, among the mud dauber nests, were bottles of liniment and homemade hot-pick salve. She saw styptic powder, scissors and antibiotics. Everything needed to treat an injury on a bird. Nailed to the board above her head were lids, some orphaned, others holding glass jars that contained an afterthought of sundry parts. The space there was thick with cobwebs strung like gauzy chandeliers in a house long-abandoned. But it was the mirror to the left that gave her pause. Clearly from a much earlier era, the plaster frame had been ornately carved but was now crazed and crumbling, humbled by a lifetime in the midst of barnyard debris. The glass was covered in a layer of permanent dust, leaving any hope of practical use far behind.  In all her years of walking through the coop, she had never noticed it and now couldn’t imagine what purpose it might have served.









Build a comfortable ledge to lay down an injured bird?  Yes.  Install a cabinet for holding the blood-stop and Teramyacin? Yes.  But hang a decorative mirror for chickens?  Why?

As she pondered the mystery, the reason crystallized in a sudden rush of memory. In the coop, she had learned how to pickpocket eggs from a nesting hen. But outside, she had learned how to tightrope walk the roosters’ tethers to keep from getting flogged. 


You see, her grandfather, like his father and countless other men of their generations, had not only raised laying hens. They had raised gamecocks as well. She then remembered the tarpaper A-frames that lined one edge of the yard and the literal game of chicken played by the cousins to see who would cross the rooster’s perimeter and walk the line before a spur could slice a shin bone. She remembered the stack of game fowl magazines next to the couch in the living room and the plywood traveling boxes as they were loaded in the back of the pickup truck. It all made sense in that moment of flipping back through her mind’s memory album. 

The mirror was for training roosters.
…to churn their warrior instinct.
…to agitate their gladiator passion.
…to cement their rage against the semblance of themselves so that the first thing they attacked when entering the fighting ring was the shape they dimly recognized from their own reflection.

Standing there in the dust and emptiness, she also recalled the day she herself had raged against Grandpa. Probably ten or eleven years old, she had overheard the menfolk talking about going to a cockfight. Something had snapped in her and she burst into tears, screaming about horrible people and heartless pastimes. She had run out of the house trailing hot fury behind but was marched back inside immediately by her mother who demanded she apologize for her slashing disrespect. She didn’t have to agree with their choices but such insolence toward her elders would not be tolerated and so she had stammered her contrition from angry, trembling lips. 




At some point along the way, her grandfather had left the bloody business behind. Somewhere between her adolescent outburst and the onset of her adult years, the rooster tethers were pulled and the traveling boxes were stacked on the rafters of the coop where the mud wasps found seclusion for their earthen constructions. Eventually, her carefree days were packed away as well, replaced by wedding plans and moving trucks and then the long years of career expansion and family building. And the lips, once flushed with anger, then pressed fond kisses against her grandfather’s paling cheeks on the rare days of visits to the farm. How she wished time now permitted more. 

But Grandma had passed some 4 years earlier and Grandpa had decided to go 2 years later.  The remembrance of their absence blinked her back into the present moment and she felt afresh the puncture wound in her heart that had been unhealable since that day. Abruptly, she reached out to lift the mirror from the rusty nail. Having no idea what the filmy glass might be used for, she only felt a deep need to remove it from that conflicted place. So into the box with the grain scoop and the chipped thermometer and the Mason jars it went.



~~~~~

Winter came again with its crackling breath and catenating tentacles, pressing warm flesh deeper into burrows of fleece and pools of tea like a pursuing hound driving a fox into the depths of its den. She forgot about the box of farm relics, now stowed on a shelf in the tool shed, as her thoughts turned inward to the unfinished needlepoint in the sewing box and the stack of books that had been patiently waiting on her attention all summer long. It was the hardest season for her to endure as daylight shriveled and the nights seemed to swindle strength from a feeble sun.

It had been the hardest months for her grandfather to endure as well. The deep winter ache that unfolded fresh burdens on a body. The brooding thoughts that seemed too far from the rescue of an early April breeze. She understood the struggle as she waited for the surfactant of spring to arrive. But understanding, even empathizing, was no surrogate for knowing. Peace remained elusive as the flogging of her heart raged on.           

During one of those brittle winter evenings, while curled up, listening to the scraping winds rake the naked forest, she picked up a book about the ancients of Rome and their pursuit of beauty. She read about the thick, slathered makeup and aromatic pastes and the heavy, jeweled adornments that pulled earlobes low. And there, in a chapter about the earliest mirrors, she found a piece of her missing peace.




Nothing more than plates of polished bronze or copper, the book explained, a primitive mirror gave only distorted, perplexing images to the viewer. As a result, the ancients would never have known the fine features of their faces, seeing a fun-house warp of misshapen lines and contorted curves instead. With a furrowed brow, she contemplated the strange thought of struggling to recognize oneself and of having so many doubts about one’s appearance. The light of this revelation led her into the creases of Paul’s Corinthian epistle. Setting aside the history book, she flipped open her Bible to the thirteenth chapter and read the riddle again.

For now we see through a mirror dimly {enigmatically, darkly};   
but then {when perfection comes}, face to face;
now I know in part {imperfectly}; 
but then shall I know {fully and clearly} even as also I am {fully and clearly} known. 
     ~1 Cor.13:12 Amp.

She had always wondered why Paul was inspired to say it was impossible to see clearly in a mirror. It made no sense, unless it was covered in dust and grime or was cracked into a spider web of splintered, jagged reflections. She had often mulled over this mystery of how looking into a mirror could be an enigmatic, dark way to see oneself. It seemed, rather, it should be the form of highest clarity.  



Then suddenly, it all dropped into place. In a stunning revelation of God’s unreasonable love, she understood. Paul’s mirror wasn’t like the rooster’s mirror that she had discovered in the coop, but was rather a bronze plate that offered a muddled reflection. And perhaps more significantly, it symbolized the presence of judgment in the Bible. Time and again, disobedience, self-righteous pride, punishment took the form of bronze…Moses’ bronze snake in the desert, Goliath’s bronze helmet and spear, the bronze altar where sin offerings were burned.   

No one, then, striving to discern their identity can see themselves as forgiven, beloved, accepted while gazing into bronze. And even the clearest, most polished plate offers nothing more than cement that binds us to condemning rage. Not until our eyes have been turned away from the ruins of self and fixed on Love can the ache be relieved. That is the meaning of Paul’s mystery: we will know all things about God’s unplummable heart for us when we are face to face with the One who bore away our bronze.


There in the dead of winter she felt her lungs fill with warm, nourishing air. At last, the dying corner of her heart split itself open to life. Her squinting eyes ceased from their futile mirror-peering and the tethers of Why and How could and What if that had trapped her in long months of soul-suffocation slipped off.  

At last she knew.

Rest, apart from answers, came softly.

Peace settled her, to the higher plains of holy.

And in that moment, patient, persistent, gracing Love who had always known…
          her and him, 
          them, 
          all…
stepped across the ancient threshold into their common dust to free the captives.
         
There is therefore, now no condemnation for those in Christ.         ~Romans 8:1

So if the Son sets you free, you are truly free.                                   ~John 8:36

Saturday, November 22, 2014

Heirlooms

One more day outside and then the garden and flower beds will officially be in hibernation for the winter.  Tomorrow I'll be raking and tucking, stacking and stashing all the implements of my summer labors along with the seeds I've collected for next spring's rebirthing.  

I buy my vegetable seeds from SeedSavers Exchange, a group in Iowa that is dedicated to the preservation of heirloom varieties.  Seed saving was always a part of farm life and so I can't pass by a cosmo or calendula that's gone to seed and not reach out to pull the shriveled,  brown husks from each stalk.  The garage is full of plastic containers and tins brimming with the harvest and sometime over the winter, the kids and I will spend a day separating grain from chaff.  

But for now, I must make that final push toward the edge of winter.  There are clay pots to turn over and bean poles to stack in the shed.  As we head into the drab hues of winter, these rainbow heirloom photos will serve to tide me over...



I don't think I have good carrot soil.  We never get a bountiful crop and I'm not sure why I keep trying.  Maybe because they're so bright and hopeful looking when you dig them up.  The kids don't enjoy them much...too earthy compared to the store-bought ones they're used to.  But it's good for them to know where carrots begin. 


Pictured here is my wedding china, Lenox's Hannah Gold, along with some vintage textiles I found at the local thrift shop.







I tried something new this year...growing our own popcorn.  It's a miniature "strawberry" variety and we got about 25 stalks to grow, each with about 3 little ears.  I shucked them in October and now am waiting for the kernels to dry out a bit more.  I've read that if they aren't dried enough, they won't pop enough to enjoy.  So hopefully over the winter, we'll have a movie night while snacking on our own backyard popcorn.  



I found this pretty daffodil plate at a thrift shop some years ago.  I thought it would be a nice pattern to collect to use in the springtime.  But so far, I haven't found anymore piece to add!  I love the crazing. ~~~ And more vintage textiles that I couldn't pass up. I have a thing for hand-worked cross-stitch designs.




One of our favorite harvests...the durable cucumber.  I was thankful that not many cucumber beetles made it to the vines this year.  Must have been the bottomless pit winter we had that killed them off.  We got a decent crop and the chickens enjoyed a lot of trimmings as a result. 




This is my everyday Pfaltzgraff pattern, Filigree.  I'm so glad I picked a simple white...never have trouble matching it to whatever decor I'm in the mood to work with in the kitchen. ~~~ And more vintage textiles from the thrift store. I'm enthralled with the tiny knots at the center of these flowers.





We grew bush beans on the farm, but my piano teacher grew pole beans and that's where I got my first batch of seeds for this variety.  She lived in an apartment over the drugstore in town, so she had little space for gardening.  But a few buckets on the roof and she was in the bean business!  These easily reach over 8 feet tall and are robust producers.  The kids love to run out to the backyard and grab a few to munch on.  




 The pink glass plate is from my collection of American Sweetheart Depression glass.  I inherited a stack of butter plates from my grandmother.  She had no other pieces to the set.  But I soon fell in love with them and now have all but the most elusive pieces in my collection.  ~~~ This vintage linen is actually a pillowcase. I have plans to someday make it into a tea towel. 




Peas hold a special place in my heart. Since we first learned we were expecting them, the triplets have been my "3peas." I just love seeing how they nestle inside their pod...I can relate!  Peas are also a rabbit's favorite, so I bought a "pea tunnel" this year which allows them to safely grow inside the garden fence, away from nibbling foes. 




This green plate is a singleton in my cupboard. I only have an educated guess that it once belonged to my great-grandmother.  It was found on the loft of our barn many years ago in a box of other kitchenwares that had been stored there after Grandma passed away. I love it's simplicity and soft hue and like to wonder about that chip and who in the family was responsible for it.  ~~~ This vintage linen comes from a friend whose mother made it when she was young.  I marvel at the time time and skill it took to make those white flowers. 








It was a rough year for tomatoes in my garden this year. I'm not sure what the culprit was...poor soil, a wetter-than-usual season, late seed start...but it made me sad because I love nothing more than a good juicy BLT on Sunday afternoon.  We didn't get many tomatoes this year, though the chickens got quite a few green ones after the first frost killed off the vines. I'm thinking I'll move the location to the opposite end of the garden next year and see if that helps. A little more sun would be helpful, too.



This plate stirs strong emotions for me.  I found it at the thrift store (can you tell I spend a lot of my free time there?) and over the years I have picked up a few other pieces in the pattern as well. At Grandma's house, this was called the "George and Martha" plate.  Grandma had bowls, too, and I used to love getting to the bottom of my Cheerios to see the dancing couple under the milk. Grandma's set didn't have the gold edges or filigree design and I think the pattern was quite faded by the end. No matter. As we say here, "The more tattered shape it's in, the more loved it's been." 
~~~ The vintage linen was a must-have when I saw it this summer.  I'm using it right now on a bookshelf with my autumn pumpkins and crows. 








I'll end with the humble zucchini. What can I say about this vegetable? I struggle with knowing what to do with them but feel obligated to grow them nonetheless. It's a right of farmgirl passage to have a bucket of surplus zucchinis in the car at all times, like my mother did, for dropping off at neighbors' houses and the dentist's office. I will admit to loving a good loaf of zucchini nut bread and am looking forward to making a few of those over the winter.    


This plate coordinates with the Depression glass though it's not from the same pattern. My mother-in-law gave it to me after cleaning out the leftover dishes from her mother's house. It makes a perfect cookie tray for Easter sweets. ~~~ The vintage table runner was another thrift store find. It reminds me of the first needlework I attempted as a child.  Nothing fancy, but something to show Grandma and hopefully get her nod of approval. 






 Au revoir for now...